Showing posts with label the c'mons. Show all posts
Showing posts with label the c'mons. Show all posts

December 18, 2014

Best of: Top 10 Canadian Bands from 2014

Another great year for music? Check

Another great year for Canadian music? Check

Here's a list of the 10 awesome Canadian artists that appear on my Favourite 60 Songs of 2014 list and my Favourite 25 Albums of 2014 list.

Public Animal "Careful" and "High Pony"




The Balconies "Boys and Girls", "The Slo" and "Do It In The Dark"





Lowell "The Bells", "Cloud 69" and "Palm Trees"



Little Foot Long Foot "Woman" and "Mess"


Mounties "Headphones" and "Pretty Respectable"




The New Pornographers "Dancehall Domine" "Brill Bruisers"


The Pack A.D. "Big Shot"

The C'Mons "Only Ghost" They're currently on hiatus, but they're one of two great discoveries at 2013's Indie Week (along with Little Foot Long Foot). I love their EP Places and am hoping for great things from them upon their return.


Death From Above 1979 "Trainwreck 1979"

Stars "From The Night"

December 17, 2014

Best of: My 10 favourite concert pictures from the past year

The C'Mons were one of two great personal discoveries at the very first festival to grant me media access, 2013's Indie Week. When I heard that The C'Mons were releasing an EP and were willing to let me shoot them, I didn't hesitate. This was an early shoot for me and my serious DSLR and I was excited to capture something that I'd actually call art. I love this picture.
July Talk. I knew I liked the tunes but I had no idea what I was going to experience at my first live July Talk show. They had Lee's Palace entirely decorated in black and white stripes, with two runways extending into the crowd. I thought I was getting there early enough to get a prime spot, but I was so wrong. I'm kind of surprised I got any good shots. I'm really pleased with this one in particular because it captures Leah's stage personality, getting right in there with the fans, and I love the image of everyone capturing a shot of Leah, including me.
Steel Panther are a great band to photograph. They know how to put on a show. And they know how to ham it up for the camera, 80s hair metal style. I had quite a blast shooting these guys and this is one of my favourite rock star shots. Say what you want about Sound Academy as a big barn of a venue in a terrible location, but they have a great pit for photographers and great lights to capture the band.
The inaugural TURF in 2013 was one of my first ventures into concert photography. Sure I didn't have media access and I was shooting with a point and shoot, but I got some decent enough shots and it gave me the confidence to pursue concert photography further. For the second TURF this past summer, I went in with pro level gear and a media pass. And I got to shoot July Talk for a second time. After the first show at Lee's, they became a personal favourite, and I couldn't wait to shoot them again. I love this shot as it really captures the on-stage interaction between Peter and Leah. Love it. Love them.
From a technical perspective, this isn't the perfect shot of Gogol Bordello's Eugene Hütz. It's overexposed, his face is blown out and the focus is more on the wine than his face. But it does do what great photography does - it captures a moment - the moment before I had red wine dripping down my forehead - and inside my lens hood. It marks the first liquid to come in contact with my camera gear. And it makes a great concert photography story. Some of my fellow TURF photographers thought that it wasn't cool that he did that, but I say that's rock and roll.
I first saw Platinum Blonde live at a free show they did at Nathan Philips Square at Toronto City Hall in 1984. I don't think I saw them again until they played at The Ex this past summer. It was a trip to see and shoot an old favourite band who are still in great form. This shot just captures the glitz and glamour and fun of the show.
If you've been reading this blog for a while, you've no doubt noticed that I'm a huge fan of Bob Mould. Hüsker Dü was the inspiration for the formation of my own band, Sugar's Copper Blue is a desert island classic, and Bob's solo power pop is unparalleled. Even though I've seen Sugar and Bob a number of times, Riot Fest marked the first time I got to shoot Bob with a proper camera and with press accreditation. What a blast! Bob is a personal favourite and a legend. I had so much fun shooting him and was so honoured to be there, I couldn't believe it. It's got to be a high point in any photographer's artistic life to shoot a personal legend. Unreal.
The National at Riot Fest was another, "Holy shit, I can't believe I'm shooting this band!" moment. I'm a huge fan of The National and was excited to be in the photo pit in front of these guys. They're pretty much the polar opposite of shooting a band of dynamic, posing rock stars. They're musicians who make some of the most incredible music ever created. I was happy to be there to capture how it felt to be there.
Kasabian is a personal favourite band. A shot I took with an old Blackberry at a Kasabian show at Kool Haus in 2012 serves as the site favicon and for whatever reason is on of the most hit posts on the site. When they came to town to play Sound Academy I was excited to be in the photo pit shooting this band. This is a band that headlined Glastonbury and I got to shoot them! Amazing. As a friend described it, this is a real rock star pic of a real rock star.
Augustines. What can I say about Augustines? They ended up being my favourite band of 2014. Their eponymous album came in number 1 on my Favourite Albums of 2014 list. Their tune "Nothing to Lose but Your Head" came in number 1 on my Favourite Songs of 2014 list. Their show at The Garrison blew my mind with how awesome the band it. This pic goes a little way toward capturing the passion and energy that Augustines put into a show. Fantastic.

I've had a great time getting back into seeing more live music over the past few years. This blog has helped keep my love of music going, forcing me to stay a little bit up-to-date on music and getting me out to shows. The concert photography element has rekindled my love of photography and combined it with my love of music and live shows. It's been a fantastic year and I'm looking forward to more shows and fun experiences.

I'm thankful to every promoter, band and venue that let me into a show that helped me hone my concert photography skills. I've met so many great people in this business this year - both virtually and in real life - including lots of cool people who share my passion for trying to capture the live concert experience through photography. Special thanks to Collective Concerts, Live Nation, Embrace Presents, AEG Live, TURF, Riot Fest, Indie Week, The Horseshoe, Lee's Palace, The Phoenix, The Garrison and The Hoxton and everyone else I've inadvertently forgotten. I'm looking forward to many more shows!

March 2, 2014

The C'mons celebrate release of new EP Places

On Friday, February 28 a huge crowd braved the frigid temperatures to head out to the Tattoo Rock Parlour on Queen West to celebrate the release of The C'mons new EP Places.
Their bio proclaims The C'mons to be, "...a violin-infused indie-rock band with a sound that will rip out your heart while you tap your toes." That pretty much sums them up. The songs are amazing - passionate and emotive with barely contained energy and broad dynamic range. They put on a polished and honest performance with great pacing and presence.
The band consists of Steph Bosch, lead singer and guitarist, backup vocalist and bassist Jamie McDowell, violinist and keyboardist Roslyn Green, guitarist Scott Hanenberg, and drummer Cory Snider. Together they make a wonderful noise that comes across magically on their recorded material and live.
I caught them when I attended Indie Week and loved what I heard. I've really got to make a more concerted effort to get out to the various festivals and showcases around town. There's a lot of talent in this town just waiting to be uncovered. I've said it before and I'll certainly say it again - anyone who says there's no good music coming out these day just isn't looking.
They brought a special guest (whose name I missed) up on stage for their rollicking cover of Outkast's "Ms Jackson".
Check out some of The C'mons brilliant music:

Show opener "Set a Fire"


"Better & Kind"


"Only Ghost"


"Paper Walls"


"Poison"


Set closer "Go Go Go"

My advice: buy their EP and keep an eye out for their next gigs. You won't regret it.

November 15, 2013

The C'mons

This is one photogenic band. It was hard for me to limit the number of photos in this post. And they sound great, too. I thoroughly enjoyed every minute of The C'mons October 19 performance at The Hideout for Indie Week.

Now don't confuse The C'mons with Ian Blurton's now-broken-up hard rocking band C'mon who I featured on the site. The C'mons singer is Stephanie Bosch, petite with a blonde pixie haircut and a voice that goes from soft to powerful in a heartbeat. The band features violin in addition to the typical two guitars-bass-drums combo. And the songs... The songs were wonderful. Of course, you can check out some below, and if you're like me, you can look forward to their next shows and more music being released.
Check out some tunes:

"Unpredictable"


"Go Go Go"


"Paper Walls"


"Faker"

"Alone Eventually"